Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie - Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning Information

Acousticness: 98%
Danceability: 8%
Energy: 5%
Instrumentalness: 91%
Liveness: 10%
Loudness: 57%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -25.871 dB

Summary

"Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie" by Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning was released on January 1, 1997. Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 1 out of 11 in Dvorák, Duruflé: Messen by Knabenchor Hannover, Tobias Gotting, Torsten Gödde, Heinz Henning. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie BPM

The tempo marking of Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie by Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Five Pieces For Two Violins and Piano: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	G Major	0	9B	85 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
Divertimento: II. Waltz: Allegretto, con grazia	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D♭ Major	1	3B	106 BPM
Waltz in F Minor	Vladimir Horowitz, Valery Kuleshov	B♭ Minor	0	3A	75 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	D Minor	1	7A	112 BPM
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	A Major	0	11B	157 BPM
Trio In G Minor, BWV 929	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Solfeggio in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Matthias Veit	F Minor	1	4A	77 BPM

ISRC: DEC299736701
Label: L-M Records/RCA Records

Section: 0.7214584350585938

End: 0.7275023460388184