"North Country Sketches: No. 1, Autumn (The Wind Soughs in the Trees, Arr. By Philip Heseltine) - Duo-Art 7190" by Frederick Delius, Peter Phillips, Ralph Leopold, Percy Grainger was released on May 23, 2023. North Country Sketches: No. 1, Autumn (The Wind Soughs in the Trees, Arr. By Philip Heseltine) - Duo-Art 7190 is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 8 out of 8 in Barcarolle. Piano Evocations from the Golden Age by Peter Phillips, Alexander Borodin, John Ireland, Frederick Delius, Pyotr Ilyich Tchaikovsky, Charles-Valentin Alkan, César Franck, Manuel de Falla. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. North Country Sketches: No. 1, Autumn (The Wind Soughs in the Trees, Arr. By Philip Heseltine) - Duo-Art 7190 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of North Country Sketches: No. 1, Autumn (The Wind Soughs in the Trees, Arr. By Philip Heseltine) - Duo-Art 7190 by Frederick Delius, Peter Phillips, Ralph Leopold, Percy Grainger is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Prelude to "Irmelin" | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | D Major | 1 | 10B | 87 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Maud: Birds in the High Hall Garden (arr. R. Threlfall, J. Lenehan and J. Lloyd Webber for cello and piano) | John Lenehan, Frederick Delius, Julian Lloyd Webber, Robert Threlfall | E Major | 1 | 12B | 82 BPM |
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