Giacomo Puccini, 浜田理恵, 斉木健詞, カルロ・ヴェントレ, Andrea Battistoni, Tokyo Philharmonic Orchestra, 新国立劇場合唱団's 'トゥーランドット 〜「誰も寝てはならぬ」' came out on July 18, 2018. With this song being about 5 minutes long, at 4:58, "トゥーランドット 〜「誰も寝てはならぬ」" by Giacomo Puccini, 浜田理恵, 斉木健詞, カルロ・ヴェントレ, Andrea Battistoni, Tokyo Philharmonic Orchestra, 新国立劇場合唱団 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 小学生からのクラシック 〜くるみわり人形/エリーゼのために〜, so we believe that "トゥーランドット 〜「誰も寝てはならぬ」" is a single. トゥーランドット 〜「誰も寝てはならぬ」 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of トゥーランドット 〜「誰も寝てはならぬ」 by Giacomo Puccini, 浜田理恵, 斉木健詞, カルロ・ヴェントレ, Andrea Battistoni, Tokyo Philharmonic Orchestra, 新国立劇場合唱団 is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Gran ventura (Butterfly/Coro/Pinkerton/Sharpless/Goro) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 1 | 2B | 172 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Die Walküre, WWV 86B / Act 3: "Hojotoho! Hojotoho!"...Ride Of The Valkyries | Richard Wagner, Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 89 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Se tu m'ami (formerly attributed to Pergolesi) | Alessandro Parisotti, Cecilia Bartoli, György Fischer | F Minor | 0 | 4A | 76 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM |
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