"Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem)" by Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds was released on February 3, 2023. The duration of Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem) is about 3 minutes long, at 3:03. Based on our data, "Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Morceaux, VWV 3003: I. Romance (Arr. for Cello & Orchestra by Julian Riem) by Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Mignon / Act 1: Connais-tu le pays? | Ambroise Thomas, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D♭ Major | 0 | 3B | 164 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Zur Nacht, Op. 6, No. 2 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | C Major | 0 | 8B | 82 BPM | ||
Messa da Requiem: Introit: Requiem aeternam - Kyrie (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Minor | 1 | 5A | 167 BPM | ||
5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Major | 0 | 11B | 73 BPM | ||
Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 104 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Clairières dans le ciel (Version for Soprano & Piano): No. 2, Elle est gravement gaie | Lili Boulanger, Karin Ott, Jean Lemaire | A Major | 1 | 11B | 133 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM |
Section: 0.8267393112182617
End: 0.8322176933288574