"5 Lieder: No. 3. Laue Sommernacht" by Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach was released on January 1, 1987. With 5 Lieder: No. 3. Laue Sommernacht being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alma Mahler, Isabel Lippitz's "Mahler, A.: 5 Lieder / 5 Gesange / 4 Lieder" album is number 3 out of 14. 5 Lieder: No. 3. Laue Sommernacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Lieder: No. 3. Laue Sommernacht by Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Piano Trio in A minor, M. 67: 4. Final (Animé) | Maurice Ravel, Beaux Arts Trio | F♯ Major | 1 | 2B | 91 BPM | ||
Shéhérazade, M. 41: III. L'indifférent | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | C Major | 4 | 8B | 49 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf | C Major | 1 | 8B | 135 BPM | ||
Haugtussa, Op. 67: VIII. Ved gjaetle-bekken | Charlotte Hoather, George Todica | B Minor | 2 | 10A | 132 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM |
Section: 0.6573221683502197
End: 0.6622941493988037