Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra made "Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro!" available on 1964. With Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. In terms of popularity, Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! by Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 4: "In un coupé?" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 84 BPM | ||
Die Walküre / Erster Aufzug: "Schläfst du, Gast?" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | E Minor | 2 | 9A | 164 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Quartetto. "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, William Schimell, Wiener Philharmoniker | B♭ Major | 1 | 6B | 89 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 3: No. 7, Ronde du veau d'or, "Le veau d'or" (Méphistophélès, Choeur) | Charles Gounod, Plácido Domingo, Georges Prêtre, Orchestre de l'Opéra National de Paris | C Minor | 4 | 5A | 118 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Madama Butterfly / Act 2: C'è. Entrate | Giacomo Puccini, Robert Kerns, Michel Sénéchal, Mirella Freni, Giorgio Stendoro, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 68 BPM |
Section: 0.7302658557891846
End: 0.7355177402496338