Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Veni creator, S. 14: Veni creator Spiritus' came out on February 4, 2022. The duration of Veni creator, S. 14: Veni creator Spiritus is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Veni creator, S. 14: Veni creator Spiritus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 32 out of 38. On top of that, France appears to be the country where this track was created. The popularity of Veni creator, S. 14: Veni creator Spiritus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Veni creator, S. 14: Veni creator Spiritus by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: IX. Sancta Mater | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Céphale et Procris, Prologue: Loure | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": VI. Aussi d'une voix plaintive | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 70 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Sinfonia No. 10 in E Minor (arrangement of oratorio sinfonia Gioseffo, che interpreta i sogni): Gioseffo che interpreta i sogni: Introduzione, "Sinfonia No. 10 in E Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |
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