"Ojos, pues me desdeñais" by José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores was released on May 10, 2024. The duration of Ojos, pues me desdeñais is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Ojos, pues me desdeñais's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ojos, pues me desdeñais is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ojos, pues me desdeñais by José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: "Occhi mesti" | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri, Leonardo Vinci | B Minor | 1 | 10A | 127 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Ho vinto, Amor | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite | B♭ Minor | 0 | 3A | 110 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Andromeda liberata, RV 117: Aria. Sovvente il sole | Antonio Vivaldi, Le Concert de la Loge, Julien Chauvin, Paul-Antoine Bénos-Djian | E Minor | 2 | 9A | 80 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM |
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