"Vespro della Beata Vergine, SV 206: VI. Laetatus sum" by Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe was released on November 6, 2007. Since Vespro della Beata Vergine, SV 206: VI. Laetatus sum is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe's "Monteverdi: Vespro della beata Vergine" album is number 6 out of 13. On top of that, France appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: VI. Laetatus sum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: VI. Laetatus sum by Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM | ||
Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 64 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Io piango o filli, madrigal à 5 | Giovanni de Macque, Huelgas Ensemble, Paul Van Nevel | A Minor | 1 | 8A | 82 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM |
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