24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen"
Niccolò Paganini, Claus Kühnl, Niklas Liepe, Gregor Bühl
The New Paganini Project
3:46 March 9, 2018
BPM
122
Key
G Major
Camelot
9B

Embed

Share Link

24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen" - Niccolò Paganini, Claus Kühnl, Niklas Liepe, Gregor Bühl Information

Acousticness
94%
Danceability
44%
Energy
15%
Instrumentalness
1%
Liveness
12%
Loudness
64%
Speechiness
5%
Valence
24%
Popularity
Loudness
-21.676 dB

Summary

Niccolò Paganini, Claus Kühnl, Niklas Liepe, Gregor Bühl's '24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen"' came out on March 9, 2018. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The New Paganini Project". In this album, this song's track order is #3. Based on our statistics, 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen" BPM

With 24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen" by Niccolò Paganini, Claus Kühnl, Niklas Liepe, Gregor Bühl having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

24 Caprices for Violin, Op. 1, Arr. for Violin and Orchestra: No. 15 in E Minor - in a Composed Interpretation by Claus Kühnl, "Verwerfungen" Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) by Heinrich Wilhelm Ernst, Josef SpacekLe roi des aulnes, Op. 26 (after Schubert's Erlkonig)Heinrich Wilhelm Ernst, Josef SpacekC Major38B129 BPM
Deuxieme livre, Suite en Mi: X. Tambourin by Jean-Philippe Rameau, Alexander PaleyDeuxieme livre, Suite en Mi: X. TambourinJean-Philippe Rameau, Alexander PaleyA Major111B130 BPM
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) by Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottValse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano)Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottA Minor08A73 BPM
Masquerade (Suite): 1. Waltz - Excerpt by Aram Khachaturian, London Symphony Orchestra, Stanley BlackMasquerade (Suite): 1. Waltz - ExcerptAram Khachaturian, London Symphony Orchestra, Stanley BlackC Major38B67 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85 BPM
Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino by Jenő Hubay, Benjamin Schmid, Lisa SmirnovaCarmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantinoJenő Hubay, Benjamin Schmid, Lisa SmirnovaD Major110B102 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Requiem In D Minor, K.626: 1. Introitus: Requiem by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von KarajanRequiem In D Minor, K.626: 1. Introitus: RequiemWolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von KarajanD Minor27A76 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7338063716888428

End: 0.7388060092926025