"Requiem In D Minor, K.626: 1. Introitus: Requiem" by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1987. With this song being about 5 minutes long, at 5:24, "Requiem In D Minor, K.626: 1. Introitus: Requiem" by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan's "Mozart: Requiem" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. Requiem In D Minor, K.626: 1. Introitus: Requiem is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626: 1. Introitus: Requiem by Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Mass brevis in C major, K.259 "Orgelsolo-Messe": Credo | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Ann Monoyios/Elisabeth Graf/Oly Pfaff/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum Köln, Collegium Cartusianum | F Major | 1 | 7B | 175 BPM | ||
Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Stephen Cleobury, Academy of Ancient Music, Christopher Purves, Choir of King's College, Cambridge, James Gilchrist, Elin Manahan Thomas, Christine Rice | C Minor | 3 | 5A | 98 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
An der schönen blauen Donau, Op.314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 95 BPM | ||
Nocturne, Op. posth. in C-Sharp Minor: Lento | Frédéric Chopin, Brigitte Engerer | D♭ Minor | 0 | 12A | 72 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Barbara Hendricks, Academy of St Martin in the Fields Chorus, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 8 | 9B | 85 BPM |
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