"An der schönen blauen Donau, Op.314" by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1988. Since An der schönen blauen Donau, Op.314 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Strauss, Johann and Josef: Waltzes and Polkas". In this album, this song's track order is #6. In terms of popularity, An der schönen blauen Donau, Op.314 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An der schönen blauen Donau, Op.314 by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pure Bliss | TIMORPHENE | B♭ Major | 4 | 6B | 127 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Pictures at an Exhibition: The Great Gate of Kiev | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 93 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 146 BPM | ||
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Symphony No. 4, "Autochthonous": III. With a graceful lilt | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 82 BPM | ||
Gaîté parisienne: Polka (II) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 163 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 99 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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