Heinrich Wilhelm Ernst, Josef Spacek made "Le roi des aulnes, Op. 26 (after Schubert's Erlkonig)" available on March 5, 2013. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 12 in Ernst: Erlkönig - Le Carnaval de Venise by Heinrich Wilhelm Ernst, Josef Spacek. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Le roi des aulnes, Op. 26 (after Schubert's Erlkonig)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) by Heinrich Wilhelm Ernst, Josef Spacek is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 82 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Variazioni di bravura, on Caprice No. 24 | Niccolò Paganini, Scott St. John, Simon Wynberg | G Major | 2 | 9B | 100 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino. Andante assai | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | G Major | 1 | 9B | 106 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM |
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