"Carmen, Act IV, No.27 Duo et Choeur final: C'est toi! / C'est moi! (Carmen/Don José)" by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse had its release date on 2003. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 26 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Carmen, Act IV, No.27 Duo et Choeur final: C'est toi! / C'est moi! (Carmen/Don José) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Act IV, No.27 Duo et Choeur final: C'est toi! / C'est moi! (Carmen/Don José) by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 1: "Blanche Dourga, pâle Siva !" (Lakmé, Chorus, Nilakantha) | Léo Delibes, Alain Lombard, Mady Mesple, Roger Soyer, Orchestre du Theatre National de IOpera-Comique | F♯ Major | 1 | 2B | 75 BPM | ||
Quizas,Quizas, Quizas - Live From Versailles, France / 2011 | Osvaldo Farrés, Roberto Alagna, Yvan Cassar | F♯ Minor | 10 | 11A | 149 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Romeo and Juliette, Act V: O ma femme! O ma bien-aimee | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 84 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM |