"Overture No. 3 in D major: 3. Presto" by Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood had its release date on January 1, 1978. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 18 in Bach, J.C.: 6 Favourite Overtures by Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Overture No. 3 in D major: 3. Presto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture No. 3 in D major: 3. Presto by Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Overture-Suite in D Major, TWV 55:D1: VI. Conclusion: Allegro - Adagio - Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: I. Adagio | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | D Major | 2 | 10B | 131 BPM | ||
Capricorn Concerto, Op. 21: Allegro con brio | Samuel Barber, Christopher Hogwood | C Major | 2 | 8B | 127 BPM |