Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür's 'Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai' came out on December 6, 1995. With Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Bach, J.C.: Sinfonias, Vol. 4 by Johann Christian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai by Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
交響曲 第40番 K.550~第2楽章 | リボル・ペシェック, Czech National Symphony Orchestra | E♭ Major | 0 | 5B | 97 BPM | ||
Quartetto "Gli amanti rivali" in C Major: V. La disperazione delle donne amanti. Allegro | Carlo Monza, Europa Galante, Fabio Biondi, Andrea Rognoni, Stefano Marcocchi, Alessandro Andriani | D Major | 0 | 10B | 119 BPM | ||
Piano Sonatina in C Major, op.55, No.1: I. Allegro | Friedrich Kuhlau, Maximilian Schairer | G Major | 1 | 9B | 130 BPM | ||
Flute Quintet No. 4 in B-Flat Major, Op. 17, G. 422: II. Minuetto: Allegro | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | B♭ Major | 0 | 6B | 126 BPM | ||
Serenade in A Major, Op. 23, No. 1, G. 145: IV. Allegretto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | D Major | 2 | 10B | 73 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM | ||
30 Études de mécanisme, Op. 849: No. 4 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 2 | 8B | 76 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: IV. Grave - Presto - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 114 BPM |
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