Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's 'Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto' came out on April 26, 2024. With this song being about 5 minutes long, at 4:42, "Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto" by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's "Haydn 2032, Vol. 15: La Reine" album is number 9 out of 12. On top of that, France appears to be the country where this track was created. Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida, Atto primo Scena 2: Sparso di pure brine (Coro) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | F Major | 2 | 7B | 103 BPM | ||
String Quartet No. 2 in G Major, Op. 18: I. Allegro | Ludwig van Beethoven, Narratio Quartet | D Major | 1 | 10B | 86 BPM | ||
String Quartet in D Major, SC 50 (Reconstr. by Wolfgang Ludewig): IV. Allegro vivo | Giacomo Puccini, Paolo Morena, Fabio Ravasi, Cynthia Liao, Gabriele Zanetti | A Major | 0 | 11B | 69 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): III. A Nemes felulese (The Nobility Mounts) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 1 | 6B | 62 BPM | ||
Cello Concerto in A Major: III. Rondo. Allegro | Johann Rudolf Zumsteeg, Sebastian Comberti, Orchestra of the Age of Enlightenment, Margaret Faultless | A Major | 7 | 11B | 140 BPM | ||
Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: III. Menuetto allegro vivace - Trio | Franz Schubert, David Grimal, Valery Afanassiev | B♭ Major | 1 | 6B | 84 BPM |
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