"Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande" by Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School was released on September 22, 2023. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 23 in Bach: Partitas (Re-imagined for Small Orchestra by Thomas Oehler) by Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande by Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Sonata in G Minor for Violin & Fortepiano, Op. 1a, G.078: II. Rondo gracioso | Joseph Boulogne Chevalier de Saint-Georges, Andrew McIntosh, Steven Vanhauwaert | G Major | 2 | 9B | 102 BPM | ||
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
La vestale, Act I: Marche pour le départ des Vestales | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Quartet Op.1 no.1 in D Major Adagio Cantabile (Eybler) | Joseph Leopold Eybler, Eybler Quartet | G Major | 0 | 9B | 127 BPM | ||
Das Fest der Lazaronen (Excerpts): Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 0 | 6A | 84 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM |
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