Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate - Arleen Auger Information

Acousticness: 98%
Danceability: 15%
Energy: 2%
Instrumentalness: 8%
Liveness: 8%
Loudness: 45%
Speechiness: 5%
Valence: 5%
Popularity: 7%
Loudness: -33.187 dB

Summary

"Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate" by Arleen Auger was released on January 1, 2000. The duration of Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate is about 3 minutes long, at 3:10. Based on our data, "Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 38 in Auger, Arleen: Arias by Arleen Auger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate BPM

The tempo marking of Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate by Arleen Auger is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Atalanta, HWV 35: Atalanta, HWV 35, Act I: Arioso: Care selve, ombre beate Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
Suite From Abdelzar: III. Minuet	Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon	F♯ Major	2	2B	87 BPM
Stabat Mater: XII. Fac ut animae donatur	Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic	E♭ Minor	1	2A	71 BPM
Te Deum, H. 146: III. Te aeternum Patrem	Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré	D♭ Major	3	3B	116 BPM
Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live	Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein	G Minor	1	6A	113 BPM
Requiem in D Minor, Op. 48: Offertoire	Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short	D Major	0	10B	74 BPM
"Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508)	Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	D Major	0	10B	102 BPM
Ein deutsches Requiem, Op. 45: 7. Chor: "Selig sind die Toten, die in dem Herrn sterben"	Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein	F Major	1	7B	92 BPM
Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro	Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten	D Major	3	10B	103 BPM
Dixit Dominus Domino meo	George Frideric Handel, The Scholars Baroque Ensemble	F♯ Minor	2	11A	102 BPM

ISRC: USASX0871228
Label: L-M Records/RCA Records

Section: 0.6387012004852295

End: 0.6423509120941162