"Geh'n wit im Chambre Séparée (from "Der Opernball")" by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann was released on June 14, 2011. The duration of Geh'n wit im Chambre Séparée (from "Der Opernball") is about 3 minutes long, at 3:05. Based on our data, "Geh'n wit im Chambre Séparée (from "Der Opernball")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. Geh'n wit im Chambre Séparée (from "Der Opernball") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Geh'n wit im Chambre Séparée (from "Der Opernball") by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Verdi: La traviata, Act 1: "Ah, fors'è lui" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 1 | 7B | 86 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | A Major | 1 | 11B | 107 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM | ||
Strauss, R: Capriccio, Op. 85, Scene 9: "Werden Ihre Neapolitaner" (Countess, La Roche, Olivier, Flamand, Count, Clairon) | Richard Strauss, Philharmonia Orchestra, Christa Ludwig, Eberhard Waechter, Hans Hotter, Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf, Nicolai Gedda, Wolfgang Sawallisch | F♯ Major | 3 | 2B | 91 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" | Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 0 | 7B | 108 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM |
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