"2 Songs, Op. 100: A Mirage, Op. 100 No. 1 (Soprano and Piano Trio)" by Amy Beach, Emma Kirkby, Romantic Chamber Group of London was released on February 1, 2002. The duration of 2 Songs, Op. 100: A Mirage, Op. 100 No. 1 (Soprano and Piano Trio) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 2 Songs, Op. 100: A Mirage, Op. 100 No. 1 (Soprano and Piano Trio)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 21 in Beach: Chanson D'Amour by Amy Beach. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. 2 Songs, Op. 100: A Mirage, Op. 100 No. 1 (Soprano and Piano Trio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Songs, Op. 100: A Mirage, Op. 100 No. 1 (Soprano and Piano Trio) by Amy Beach, Emma Kirkby, Romantic Chamber Group of London is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kindertotenlieder: No. 5, In diesem Wetter | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Major | 1 | 10B | 82 BPM | ||
Dido and Aeneas / Act 3: "Your councel all is urg'd in vain" | Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
4 Lieder, Op. 27: 2. Cäcilie | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
Exsultate, jubilate, K.165: 4. Alleluia | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Minor | 1 | 8A | 129 BPM | ||
Sept mélodies, Op. 2: VII. Le colibri | Ernest Chausson, Véronique Gens, Susan Manoff | B Major | 1 | 1B | 74 BPM | ||
Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Variations on Balkan, Op. 60: I. Più mosso | Amy Beach, Joanne Polk | D♭ Minor | 0 | 12A | 76 BPM |
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