"Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live]" by Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Tony Stevenson, Metropolitan Opera Orchestra was released on April 26, 2024. Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live] is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live] by Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Tony Stevenson, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semele / Act 1: Endless pleasure... | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 81 BPM | ||
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Core ‘ngrato (Transcr. for Tenor, Piano and Harp) | Salvatore Cardillo, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E♭ Major | 2 | 5B | 60 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Das Rheingold: Scene I: Weia! Waga! Woge, du Welle! (Woglinde, Wellgunde, Flosshilde) | Richard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar Zagrosek | E♭ Major | 1 | 5B | 146 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
Rusalka, Op. 114 / Act 1: Cury mury fuk | Antonín Dvořák, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Major | 1 | 1B | 123 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 131 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself | John Adams, Los Angeles Philharmonic, Julia Bullock | A Major | 0 | 11B | 79 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM |
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