"Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche" - Live From Philharmonie, Berlin" by Gustav Mahler, Cheryl Studer, Sylvia McNair, Anne Sofie von Otter, Rosemarie Lang, Peter Seiffert, Bryn Terfel, Jan-Hendrik Rootering, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Prague Philharmonic Chorus, Toelzer Knabenchor was released on January 1, 1995. Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche" - Live From Philharmonie, Berlin is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Claudio Abbado's "Mahler: Symphony No.8 in E flat "Symphony of a Thousand"" album is number 16 out of 24. Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche" - Live From Philharmonie, Berlin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche" - Live From Philharmonie, Berlin by Gustav Mahler, Cheryl Studer, Sylvia McNair, Anne Sofie von Otter, Rosemarie Lang, Peter Seiffert, Bryn Terfel, Jan-Hendrik Rootering, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Prague Philharmonic Chorus, Toelzer Knabenchor to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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