"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra was released on 1958. With this song being about 5 minutes long, at 5:01, "The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #8. The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 173 BPM | ||
The Firebird Suite (1919 Version): I. Introduction | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 87 BPM | ||
Fanfare from "L'Eventail de Jeanne", M. 80: Allegro moderato | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 51 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivacissimo - Adagio - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 71 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 170 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Major | 3 | 3B | 132 BPM |
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