"Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)" by Wolfgang Amadeus Mozart, Bernard Haitink, Lucia Popp, Wolfgang Brendel, Bavarian Radio Symphony Orchestra was released on 1981. The duration of Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) is about 3 minutes long, at 3:14. Based on our data, "Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 16 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 1: "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) by Wolfgang Amadeus Mozart, Bernard Haitink, Lucia Popp, Wolfgang Brendel, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
Idomeneo, Rè di Creta K366: Aria: Zeffiretti lusinghieri | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée, L Langree | B Major | 0 | 1B | 69 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 104 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Presto presto..Tra quest'arbori..Bisogna aver corragio | Wolfgang Amadeus Mozart, Konstantin Wolff, Mojca Erdmann, Ildebrando D'Arcangelo, Joyce DiDonato, Rolando Villazón, Diana Damrau, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | F Major | 1 | 7B | 175 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Cublai, gran Kham dei Tartari: D'un insultante orgoglio (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 1 | 9B | 93 BPM |
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