"Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux" by Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes was released on April 5, 2011. The duration of Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux is about 3 minutes long, at 3:18. Based on our data, "Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Mattei, Lawrence Renes's "Mattei, Peter: Great Baritone Arias" album is number 5 out of 15. In terms of popularity, Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux by Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Il natal d'Apollo: Ombra dolente (Alceo) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 0 | 9B | 70 BPM | ||
Te Deum in D, "Dettingen", HWV 283: Vouchsafe, O Lord | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | B Minor | 0 | 10A | 75 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Faust: Choeur des soldats | Charles Gounod, Franz Bauer-Theussl, Choeurs de l'Opéra de Vienne, Wilhelm Loibner | A Major | 1 | 11B | 110 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM |
Section: 0.7343223094940186
End: 0.7375452518463135