"Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend" by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan was released on January 1, 2003. With Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz's "Mahler: Symphony No. 2" album is number 7 out of 42. In terms of popularity, Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Aus der Ferne - Polka mazur, Op.270 | Josef Strauss, Wiener Philharmoniker, Franz Welser-Möst | B Minor | 1 | 10A | 113 BPM | ||
Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 74 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Ma mère l'oye, M.60: II. Danse du Rouet | Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France | F Minor | 0 | 4A | 103 BPM | ||
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM | ||
Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 0 | 10A | 91 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Auf blumige Wiesen | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | C Minor | 3 | 5A | 128 BPM | ||
Radetzky March Opus 228 | Johann Strauss I, Wiener Philharmoniker, Franz Welser-Möst | A Major | 5 | 11B | 105 BPM | ||
Hungarian Dance No.10 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Minor | 3 | 3A | 77 BPM |
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