"Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's" by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel was released on January 1, 1973. The duration of Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's is about 3 minutes long, at 3:24. Based on our data, "Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #2. In terms of popularity, Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op.64 - Act 2: Juliet At Friar Laurence's by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | D Major | 2 | 10B | 86 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Arrival Of the Guests | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 92 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 10, Entr'acte and Scene | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 3 | 6B | 117 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation V (Sehr langsam) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Saint-Saëns: Piano Concerto No. 1 in D Major, Op. 17: III. Allegro con fuoco | Camille Saint-Saëns, Jean-Philippe Collard, Royal Philharmonic Orchestra, André Previn | D Major | 3 | 10B | 114 BPM | ||
Concerto for Orchestra, BB 123: V. Finale: Presto | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F♯ Minor | 0 | 11A | 78 BPM | ||
Glazunov: Raymonda Suite, Op. 57a: I. (a) Introduction (Moderato) | Alexander Glazunov, Philharmonia Orchestra, Lovro Von Matacic | C Minor | 0 | 5A | 187 BPM |
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