"Ma mère l'oye, M.60: II. Danse du Rouet" by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France was released on January 1, 2012. The duration of Ma mère l'oye, M.60: II. Danse du Rouet is about 3 minutes long, at 3:24. Based on our data, "Ma mère l'oye, M.60: II. Danse du Rouet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Ravel : Concerto pour la main gauche, Boléro, Ma mère l'Oye, Le Tombeau de Couperin". In this album, this song's track order is #4. In terms of popularity, Ma mère l'oye, M.60: II. Danse du Rouet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, M.60: II. Danse du Rouet by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody On A Theme Of Paganini, Op.43: Variation 15. Più vivo scherzando | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 1 | 6B | 160 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Préludes - Book 2, L.123: 7. La terrasse des audiences du clair de lune | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 70 BPM | ||
Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell | Anton Bruckner, Bavarian Radio Symphony Orchestra, Bernard Haitink | F Major | 1 | 7B | 127 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
L'Enfant et les sortilèges, M.71 / Première partie: How's your mug? | Maurice Ravel, Mark Tucker, Jacqueline Miura, London Symphony Orchestra, André Previn | C Major | 1 | 8B | 88 BPM | ||
Symphony No.9 In D / 1. Satz: Bewegter | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 172 BPM |
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