"Aniara: Act I Scene 3: Det oghygglight starka skenet" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. With Aniara: Act I Scene 3: Det oghygglight starka skenet being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. In terms of popularity, Aniara: Act I Scene 3: Det oghygglight starka skenet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act I Scene 3: Det oghygglight starka skenet by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Ravel: Ma mère l'oye, M. 60: Les entretiens de la Belle et de la Bête | Maurice Ravel, Jean Martinon, Orchestre de Paris | E Minor | 0 | 9A | 83 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM |
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