Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing - Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi Information

Acousticness: 80%
Danceability: 12%
Energy: 0%
Instrumentalness: 95%
Liveness: 13%
Loudness: 47%
Speechiness: 5%
Valence: 5%
Popularity: 1%
Loudness: -31.582 dB

Summary

"Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing" by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 2001. With this song being about 5 minutes long, at 4:54, "Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing" by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi's "Grieg: Complete Music with Orchestra" album is number 15 out of 102. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing BPM

We consider the tempo marking of Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Lyric Pieces, Op. 54 - Orch. by Anton Seidl: II. Bellringing Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Etude Op. 10 no. 1 in C Major	Valentina Lisitsa	C Major	2	8B	88 BPM
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major	Benjamin Frith, John Field	G Major	0	9B	125 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
8 Études, Op. 42: No. 5 in C-Sharp Minor	Alexander Scriabin, Evgeny Kissin	D♭ Minor	2	12A	132 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
2 Aquarelles: Lento, ma non troppo	Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones	B♭ Major	1	6B	72 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM
Kitsch-Musik: III. Allegretto	Valentin Silvestrov, Elisaveta Blumina	E♭ Major	0	5B	65 BPM
Mazurka in A Minor, Op. 17 No. 4	Frédéric Chopin, Khatia Buniatishvili	A Minor	0	8A	173 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	G Minor	1	6A	83 BPM

ISRC: DEF058600631
Label: L-M Records/RCA Records

Section: 0.6837267875671387

End: 0.6906137466430664