"Messager: The Two Pigeons, Act 2, Scene 1: Hungarian Dance" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 19 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 2, Scene 1: Hungarian Dance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 2, Scene 1: Hungarian Dance by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messager: Fortunio, Act 1: "Chasse cette crainte importune" (Fortunio, Landry) | André Messager, John Eliot Gardiner, Francis Dudziak, Thierry Dran, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 119 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
Trois Valses: I. Maestoso | André Messager, Duo Crommelynck | E♭ Major | 1 | 5B | 100 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Accelerationen, Op.234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM |
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