"La traviata / Act 1: E strano! - Ah, fors'è lui" by Giuseppe Verdi, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi was released on January 1, 2005. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #8 out of 38 tracks. La traviata / Act 1: E strano! - Ah, fors'è lui is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 1: E strano! - Ah, fors'è lui by Giuseppe Verdi, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 1: E strano! - Ah, fors'è lui being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 5 | 5B | 61 BPM | ||
Macbeth: Act IV: Una macchia e qui tutt'ora (Lady Macbeth, a Doctor, a Lady's Maid) | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | D♭ Major | 1 | 3B | 113 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Gounod : Faust : Introduction to Act 1 | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 0 | 7B | 84 BPM |
Section: 0.9649322032928467
End: 0.9703316688537598