"Gounod : Faust : Introduction to Act 1" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra was released on April 28, 1994. Gounod : Faust : Introduction to Act 1 is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Charles Gounod, Carlo Rizzi, Orchestra of the Welsh National Opera's "Gounod : Faust" album is number 1 out of 64. On top of that, Germany appears to be the country where this track was created. Gounod : Faust : Introduction to Act 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod : Faust : Introduction to Act 1 by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Concerto for Violin and Orchestra: II. Adagio | Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jennifer Koh | D Major | 0 | 10B | 87 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Gounod : Faust : Act 1 "Rien!...En vain j'interroge" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 130 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso - Allegro | Camille Saint-Saëns, Charles Münch, Boston Symphony Orchestra | C Major | 4 | 8B | 104 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM |
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