"Fantasy on Polish Airs in A Major, Op. 13: Theme De Charles Kurpinski: Allegretto" by Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky was released on August 16, 1991. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 9 in Chopin: Piano Concerto No. 1 / Fantasia On Polish Airs / Andante Spianato by Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Fantasy on Polish Airs in A Major, Op. 13: Theme De Charles Kurpinski: Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasy on Polish Airs in A Major, Op. 13: Theme De Charles Kurpinski: Allegretto by Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
12 Etudes, Op.25: No.12 in C Minor(Ocean) | Pianozone, Frédéric Chopin | F Minor | 4 | 4A | 159 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM |
Section: 0.6693868637084961
End: 0.6742267608642578