Johann Sebastian Bach, Martin Stadtfeld's 'Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39)' came out on April 9, 2021. The duration of Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Piano Songbook". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) by Johann Sebastian Bach, Martin Stadtfeld having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Morning Mood Variation (Arr. for Piano from Peer Gynt Suite No.1, Op. 36 by Ketan & Vivan Bhatti) | Edvard Grieg, Olga Scheps | E♭ Major | 1 | 5B | 79 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM |
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