Riccardo Drigo, Mario del Monaco, Orchestra, Ernest Nicelli's 'I Milioni d'Arlecchino' had a release date set for January 1, 2006. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario del Monaco's "Mario del Monaco: Decca Recitals 1952-1969" album is number 1 out of 97. I Milioni d'Arlecchino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Milioni d'Arlecchino by Riccardo Drigo, Mario del Monaco, Orchestra, Ernest Nicelli to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 85 BPM | ||
Raymonda, Act I: Pizzicato | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 0 | 10B | 119 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 4 | 4B | 97 BPM | ||
Romeo and Juliet, Op. 64: No. 3 The Street Wakens | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D Major | 0 | 10B | 123 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
La esmeralda, Act 1: Esmeralda variation - Battement tendu simple y jeté. Metre 4/4. | Cesare Pugni, MetodoVadim | C Minor | 1 | 5A | 87 BPM | ||
Etudes: XI. Small leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 159 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM |