Wolfgang Amadeus Mozart, William Shimell made "Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina)" available on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 14 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 9: Recitativo, "Alfin siam liberati" (Don Giovanni, Zerlina) by Wolfgang Amadeus Mozart, William Shimell to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht | Ludwig van Beethoven, Nina Stemme, Rachel Harnisch, Christoph Strehl, Falk Struckmann, Christof Fischesser, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 7 | 8B | 125 BPM | ||
Nabucco / Act 4: Ah, torna Israello | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 2 | 12B | 177 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 1 | 12B | 165 BPM | ||
Die Zauberflöte / Act 1: "Zum Ziele führt dich diese Bahn" | Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Michael Rausch, Markus Leitner, Uwe Heilmann, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 1 | 6B | 175 BPM | ||
La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 2 | 3A | 85 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: II. Adagio | Jenő Jandó, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 123 BPM | ||
Der Freischütz, J. 277 / Act 3: "Ein herrliches Jagdwetter!" | Carl Maria von Weber, Friedrich Wilhelm Junge, August Hütten, Achim Schmidtchen, Hans Jörn Weber, Gerhard Paul | G Minor | 2 | 6A | 79 BPM | ||
Der Freischütz, J. 277 / Act I: "Schweig - damit dich niemand warnt!" | Carl Maria von Weber, Theo Adam, Staatskapelle Dresden, Carlos Kleiber | D Major | 4 | 10B | 94 BPM | ||
Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? | Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp | F Major | 1 | 7B | 100 BPM |
Section: 0.6162703037261963
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