"Nabucco / Act 4: Ah, torna Israello" by Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli was released on January 1, 1983. With Nabucco / Act 4: Ah, torna Israello being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #21 out of 44 tracks. The popularity of Nabucco / Act 4: Ah, torna Israello is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act 4: Ah, torna Israello by Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Nabucco / Act 4: Ah, torna Israello being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
La Traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 125 BPM | ||
Rigoletto, Act IV: E l'ami? - Sempre | Giuseppe Verdi, Ettore Bastianini, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | A Minor | 1 | 8A | 88 BPM | ||
Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM | ||
Ah, si, ben mio coll'essere | Giuseppe Verdi, Plácido Domingo, Ryland Davies, Zubin Mehta, New Philharmonia Orchestra | E Minor | 1 | 9A | 105 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra | D Major | 2 | 10B | 138 BPM | ||
La Traviata / Act 2: "Noi siamo zingarelle" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | E Minor | 1 | 9A | 63 BPM | ||
Messa di Requiem, Dies irae: Lacrymosa | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 60 BPM | ||
Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" | Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 3 | 5B | 98 BPM |
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