Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp's 'Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden?' came out on January 1, 1976. With Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act I: Dialog: Seid ihr verrückt geworden? by Johann Strauss II, Julia Varady, Hermann Prey, Bernd Weikl, Lucia Popp having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 86 BPM | ||
Minnelied, Op. 71, No. 5 | Johannes Brahms, Leonard Hokanson, Hermann Prey | B Major | 1 | 1B | 84 BPM | ||
Die Fledermaus / Act 3: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Franz Muxeneder | G Major | 0 | 9B | 100 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Zum Ziele führt dich diese Bahn (Knaben, Tamino, Sprecher, Chor) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 1 | 8B | 77 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Ariadne auf Naxos / Prologue: "Mein Herr Haushofmeister!" | Richard Strauss, Rudolf Asmus, Dietrich Fischer-Dieskau, Rolf Wollrad, Wolfgang Millgramm, Julia Varady, Gewandhausorchester, Kurt Masur | D Minor | 1 | 7A | 90 BPM | ||
Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Hermann Prey, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | G Major | 1 | 9B | 120 BPM | ||
「ヴェネツィアの一夜」によるカドリーユ Op. 416 | Johann Strauss II, Hungarian Operetta Orchestra, Laszlo Kovacs | A♭ Major | 3 | 4B | 171 BPM | ||
Die Zauberflöte, K.620 / Act 1: Freue dich und fasse Mut, schöner Jüngling | Wolfgang Amadeus Mozart, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Christoph Strehl | A♭ Major | 0 | 4B | 113 BPM |
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