"Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo)" by Gioachino Rossini, Teresa Berganza, Hermann Prey, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado was released on January 1, 1972. Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo) is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Rossini: Il Barbiere Di Siviglia". In this album, this song's track order is #9. Based on our statistics, Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo) by Gioachino Rossini, Teresa Berganza, Hermann Prey, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Petie messe solennelle: II. Gloria: Gloria in excelsis Deo | Gioachino Rossini, Warsaw Philharmonic Choir, Bartosz Michałowski, Joanna Zawartko, Agnieszka Rehlis, Andrzej Lampert, Łukasz Goliński, Ewa Wilczyńska, Agnieszka Kopacka-Aleksandrowicz, Piotr Wilczynski | F Major | 0 | 7B | 136 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM |
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