- BPM
- 86
- Key
- C Major
- Camelot
- 8B
Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) - Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 7%
- Valence
- 17%
- Popularity
- 4%
- Loudness
- -18.386 dB
Summary
"Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José)" by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse was released on 2003. The duration of Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) BPM
The tempo marking of Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) by Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 115 BPM | |
 | L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | |
 | La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | |
 | Don Pasquale: Cercherò lontana terra | Gaetano Donizetti, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F Minor | 1 | 4A | 168 BPM | |
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Major | 0 | 11B | 91 BPM | |
 | Falstaff: Act III: Una, due, tre .... | Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will Humburg | D♭ Major | 0 | 3B | 82 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Vanne, e li cela entrambi" | Vincenzo Bellini, Cecilia Bartoli, Liliana Nikiteanu, Orchestra La Scintilla, Giovanni Antonini | A Major | 1 | 11B | 74 BPM | |
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | D Major | 4 | 10B | 91 BPM | |
 | Parsifal, WWV 111 / Act 2: "Parsifal! Weile!" | Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7899055480957031
End: 0.7939496040344238