Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti's 'Symphony No.5 in C minor, Op.67: 1. Allegro con brio' had a release date set for January 1, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Beethoven: Symphonies Nos. 5 & 6/The Creatures of Prometheus Overture by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti. In terms of popularity, Symphony No.5 in C minor, Op.67: 1. Allegro con brio is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No.5 in C minor, Op.67: 1. Allegro con brio by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: Les toréadors | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | E Minor | 3 | 9A | 173 BPM | ||
Spring | Spa Sensations | D Major | 2 | 10B | 132 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Minuet from String Quintet in E, Op.13, No.5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 106 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Prelude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff, Van Cliburn | A Major | 1 | 11B | 138 BPM | ||
Piano Sonata No. 11 in A major, K. 331: III. Allegretto in A minor "Alla Turca" (feat. Yuli Lavrénov) | London Symphony Orchestra | A Major | 1 | 11B | 125 BPM |