"A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale"" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra was released on January 1, 1967. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
A Midsummer Night's Dream / Act 2: "Hail, Mortal, Hail!" | Benjamin Britten, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra | D♭ Minor | 1 | 12A | 77 BPM | ||
Symphony No. 5 in D Major, IRV. 86: III. Romanza - Lento | Ralph Vaughan Williams, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Orpheus: Scene I: Lento sostenuto | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Candide / Act I: 2. Life Is Happiness Indeed | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Major | 2 | 9B | 120 BPM | ||
Rückert Lieder: III. Ich bin der Welt abhanden gekommen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 0 | 5B | 72 BPM | ||
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | ||
Messa di Gloria, Op.posth., Gloria: Quoniam tu solus Sanctus | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 2 | 8B | 69 BPM |
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