"A Midsummer Night's Dream / Act 2: "Hail, Mortal, Hail!"" by Benjamin Britten, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra was released on January 1, 1967. With this song being about 5 minutes long, at 5:14, "A Midsummer Night's Dream / Act 2: "Hail, Mortal, Hail!"" by Benjamin Britten, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. A Midsummer Night's Dream / Act 2: "Hail, Mortal, Hail!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 2: "Hail, Mortal, Hail!" by Benjamin Britten, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 2 | 10B | 70 BPM | ||
Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 73 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Suite No. 2, P. 138: IV. Bergamasca: Allegro | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 86 BPM |
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