Sergei Prokofiev, Dmitry Sitkovetsky, Pavel Gililov's 'Cinderella Op. 87 (arr. Mikhail Fichtenholz): Gavotte' came out on June 5, 2001. The duration of Cinderella Op. 87 (arr. Mikhail Fichtenholz): Gavotte is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Cinderella Op. 87 (arr. Mikhail Fichtenholz): Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Sonatas and Dances for Violin". In this album, this song's track order is #2. Cinderella Op. 87 (arr. Mikhail Fichtenholz): Gavotte is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Cinderella Op. 87 (arr. Mikhail Fichtenholz): Gavotte by Sergei Prokofiev, Dmitry Sitkovetsky, Pavel Gililov having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Toccata In D Minor, Op. 11: Allegro Marcato | Eteri Andjaparidze, Sergei Prokofiev | E Minor | 1 | 9A | 109 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Minor | 0 | 5A | 56 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM |
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