"Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano)" by Darius Milhaud, Arabella Steinbacher, Peter von Wienhardt was released on January 1, 2016. The duration of Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violino Latino by Arabella Steinbacher, Peter von Wienhardt. The song's track number on the album is #11 out of 18 tracks. Based on our data, Germany was the country where this track was produced or recorded. Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) by Darius Milhaud, Arabella Steinbacher, Peter von Wienhardt has a tempo of 39 beats per a minute, the tempo markings of this song would be Grave (very slow). With Scaramouche, Op. 165b: III. Brazileira (Arr. J. Heifetz for Violin & Piano) being at 39 BPM, the half-time would be 20 BPM with a double-time of 78 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
我が母の教え給いし歌 | Antonín Dvořák, Emiri Miyamoto | C Minor | 1 | 5A | 94 BPM | ||
Schumann: Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht | Robert Schumann, Jacqueline du Pré, Gerald Moore | D♭ Major | 1 | 3B | 125 BPM | ||
Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | ||
Suite Provençale, 152c: III. Modéré - Plus lent | Darius Milhaud, Orchestre Régional de Cannes Provence Alpes Côte d'Azur, Philippe Bender | F Major | 1 | 7B | 85 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: III. Allegretto | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira | Anonymous, Darius Milhaud, Koryun Asatryan, Eun Bae Jang | F Major | 2 | 7B | 110 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Heinrich Schiff, Samuel Sanders | D Major | 2 | 10B | 109 BPM | ||
Romanza for Violin & Piano | Allan Pettersson, Ulf Wallin, Thomas Hoppe | B♭ Minor | 2 | 3A | 87 BPM |
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