Anonymous, Darius Milhaud, Koryun Asatryan, Eun Bae Jang made "Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira" available on January 1, 2000. The duration of Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Saxophone Caprices". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Scaramouche, Op. 165b (arr. for saxophone and piano): III. Brazileira by Anonymous, Darius Milhaud, Koryun Asatryan, Eun Bae Jang having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Segunda Parte - Morir Cuerdo Y Vivir Loco, Capítulo LXXIV: Requiem, "Lacrimosa Dies Illa" (Anónimo) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | G Minor | 1 | 6A | 73 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Gloria patri | Francesco Corteccia, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 79 BPM | ||
Beati Mundo Corde; Quicumque Christum | Monks Of The Abbey Of Notre Dame | B♭ Minor | 1 | 3A | 142 BPM | ||
Office des laudes : Antienne o quam gloriosum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | G Major | 0 | 9B | 99 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
La Messe: Introït "Signum Magnum" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F♯ Minor | 1 | 11A | 135 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Viderunt omnes - Graduale/In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | E Minor | 1 | 9A | 108 BPM |
Section: 0.5530412197113037
End: 0.5593490600585938