Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)
Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli
Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4
2:31 January 1, 2003
BPM
87
Key
G Major
Camelot
9B

Spotify

Apple Music

Amazon Music

Tidal

Pandora

YouTube Music

Embed

Share Link

Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) - Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli Information

Acousticness
96%
Danceability
18%
Energy
1%
Instrumentalness
11%
Liveness
8%
Loudness
40%
Speechiness
3%
Valence
26%
Popularity
1%
Loudness
-35.845 dB

Summary

Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli's 'Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)' came out on January 1, 2003. The duration of Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4 by Edward Elgar, Mischa Maisky, Giuseppe Sinopoli, Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) BPM

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Variations on an Original Theme, Op. 36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto in D Major, Op. 61: II. Larghetto by Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg CaetaniViolin Concerto in D Major, Op. 61: II. LarghettoLudwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg CaetaniB♭ Major46B138 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: III. The Young Prince and the Young PrincessNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoG Major09B103 BPM
Panis Angelicus (Arr. Leopold Stokowski) by César Franck, Matthias Bamert, BBC PhilharmonicPanis Angelicus (Arr. Leopold Stokowski)César Franck, Matthias Bamert, BBC PhilharmonicA Major111B65 BPM
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85 BPM
Carmen Suite No. 1: 1. Prélude by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 1. PréludeGeorges Bizet, Orchestre de Paris, Semyon BychkovA Minor18A96 BPM
Le roi s'amuse: Madrigal by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: MadrigalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major011B82 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliElgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro moltoEdward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliG Major29B87 BPM
A Moorside Suite, H. 173: Nocturne by Gustav Holst, Royal Northern Sinfonia, David Lloyd-JonesA Moorside Suite, H. 173: NocturneGustav Holst, Royal Northern Sinfonia, David Lloyd-JonesB Minor010A91 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : IV. AllegroArcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaD Major310B129 BPM
Elgar: Variations on an Original Theme, Op. 36 Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. NimrodEdward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon RattleE♭ Major15B49 BPM
ISRC
DEF058731611
Label
L-M Records/RCA Records

Section: 0.8561344146728516

End: 0.861290454864502