- BPM
- 91
- Key
- B Minor
- Camelot
- 10A
A Moorside Suite, H. 173: Nocturne - Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones Information
- Acousticness
- 93%
- Danceability
- 15%
- Energy
- 2%
- Instrumentalness
- 36%
- Liveness
- 8%
- Loudness
- 47%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -31.6 dB
Summary
"A Moorside Suite, H. 173: Nocturne" by Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones was released on March 8, 2002. Since A Moorside Suite, H. 173: Nocturne is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 17 in ENGLISH STRING MINIATURES, Vol. 4 by David Lloyd-Jones, Royal Northern Sinfonia. In terms of popularity, A Moorside Suite, H. 173: Nocturne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Moorside Suite, H. 173: Nocturne BPM
The tempo marking of A Moorside Suite, H. 173: Nocturne by Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Moorside Suite, H. 173: Nocturne Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | |
 | Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | |
 | 5 Variants of Dives and Lazarus | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | A Minor | 3 | 8A | 87 BPM | |
 | Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | |
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7706899642944336
End: 0.7762515544891357